instagram pinterest linkedin facebook twitter goodreads facebook circle twitter circle linkedin circle instagram circle goodreads circle pinterest circle

Blog

Make Your Voice Heard! Chapter Titles or No Chapter Titles....or who the heck cares?

As previously posted, I've traded in writing textbooks for taking on the challenge of writing novels. Writing behavioral objectives and multiple-choice questions are now dead to me! 

 

When I started writing my first novel, 181 Blackhorse Road, I was torn between using or not using chapter titles.  After all, I told my hyper-curious self, I like a carrot dangled before me about the mystery, conflict, or situation that the next chapter holds.  On the other hand, a good book that keeps me in the dark about what's around the corner makes me turn the pages too.

 

I started 181 Blackhorse Road without chapter titles.  Then, about half-way through the book, I added titles, because, well I kind of liked them.  Then on draft eight, I took them out but added them back in draft nine.

 

Just for fun, I took a random sample of fifteen novels to see how the authors treated chapter titles.  Disappointing for the researcher in me, the null hypothesis proved true (almost).  Fifty-three percent (8/15) included titles, whereas forty-seven percent (7/15) did not!

 

So, the question remains, should I or should I not use chapter titles in my completed novel? 

 

Then a brilliant insight!  I should query my potential readers, friends, and colleagues to help me by asking them what they like and why.

 

Help an author in a quandary!  Do chapter titles ring your bell or not (or who the heck cares)?

 

Make your voice heard on your preference for chapter titles by taking my three-question survey at https://www.surveymonkey.com/r/YJDT3JL_ChapterTitles    I'll report the results in about a week.

 

P.S. I apologize!  The first and third questions on the survey are multiple-choice!  Yikes, you can take a person out of academia, but you can't take academia out of the person.

3 Comments
Post a comment

What I Have Learned Writing a Novel: More Than a Story

When I tell someone that I'm writing a novel, the inevitable question I'm asked, "Is this about your life?" "Well no, but then again, yes," is my stammering response.  My novel's story blossoms from my imagination, but that imagination is influenced by my experience, perspectives, and observations. Jane Austin and Alice Munro, for example, wrote about what they knew; separating the author from the story, I believe would be difficult.

 

The Evan Marshall Literary Agency defines a novel as "a work of written narrative fiction that may be based on or inspired by a true story but does not claim to be a true account."  My first novel, 181 Blackhorse Road, fits nicely within this definition: it's inspired about what I know, and what I have experienced and observed about the challenges people face and how they come out on the other side of those triumphantly in a better state or defeated and depleted.

 

181 Blackhorse Road is a story of emotional maturation, love and betrayal and family intergenerational conflicts and influences that ends triumphantly for some, but not for others.  Working in imagination over the past twelve months, I have been amazed at how the book's characters continually surprise me as they evolve from my computer keyboard.  Luci did what?  What were you thinking, Chris? Berry, that was heavy!  Sean, you were brilliant!  Marie, how could you go so low?  Every day these imaginary people surprised me.

 

When I came to writing Part 2 of the novel, a lapse of eighteen years from the start of the story in 1966, it was if the switch of a searchlight turned on and the main character's emotional maturation danced across the pages.  What an absolute thrill!  I also found myself falling in love with characters I would never have anticipated and even being torn between love interests; pure satisfaction that made me smile as the words tumbled across the computer screen!

 

It has not been my recollections of 1966-1986, nor the locations chronicled in the book, that fueled sixteen-hour days of writing.  No!  It's been the supplemental research that has proved most fascinating; I'd take a shovel and start digging and couldn't stop, hungry to learn more and examine how historical events, politics, economics, philosophy, religion, and psychology would influence the challenges, values, and actions of the story's characters and ultimately their outcome.  The things I've uncovered, I've shared and exposed within the whirlwind of my imagination on the pages of my novel, and it is the backstories that I plan to share with my readers in future blog posts.  Stay tuned! 

1 Comments
Post a comment

Why A University Professor Transformed into Novel Author

Once-upon-a-time

Why would a retired university professor whose written textbooks in health information systems decide to write a novel?  Wow!  That is an off-ramp that doesn't make much sense.

 

A decade ago, I started my practice as a leadership coach. My focus is on helping women break the glass ceiling and fulfill their leadership and economic potential. Consequently, during the past ten years, I transitioned from writing textbooks to motivational books on creating environments where people flourish through better leadership.

 

About a year ago, I was on a conference call discussing concepts of what makes a fulfilling life with fellow life coaches.  Bang! Like a thunderclap, I had an insight. What would it be like to help people understand the concepts of a flourishing life in a story instead of through a motivational book or text? After all, I thought, storytelling has been the most compelling form of communication for thousands of years. As far as I could recall, none of the great Profits fed up learning objectives and multiple-choice questions to their followers.  No!  They got their message across through stories.

 

Motivational books and textbooks give frameworks, theories, and ideas, but they don't immerse us in the human experience. They don't show us how others face challenges, embrace their passions, overcome sorrow, celebrate achievement, quash self-doubts, develop positive emotions and relationships, handle betrayal, or act on aspirations. 

 

Storytelling ignites our imagination and emotion.  We experience being part of the story rather than being served up a platter of facts, exercises, and information. As Dr. Pamela Rutledge says, with storytelling, "we become participants in the narrative. We can step out of our own shoes, see differently, and increase our empathy for others. Through imagination, we tap into creativity that is the foundation of innovation, self-discovery and change." 

 

This eye-opener was enough for me to take on the challenge of novel writing.  My passion is to help people catapult beyond concepts and theories and jump into the wonderment of imagination in designing a flourishing life for themselves.  Storytelling does this best.

 

Happily, as a novel author I have jettisoned learning objectives and test questions.  Ah…the freedom makes me feel as light as a balloon on a summer breeze.

5 Comments
Post a comment